Lecturer
Location: 253/052June 2023 PhD Performance Studies, University of Alberta
June 2013 MA Dramatic Arts, University of the Witwatersrand
December 2008 BA Honours [Drama], University of Cape Town
December 2007 BA Film and Media Studies [Radio Production], University of Cape Town
Lebogang Disele-Pitso is a lecturer at the University of Botswana in the Department of Visual and Performing Arts (VAPA). She obtained her PhD in Performance Studies from the University of Alberta in Edmonton, Canada.
Her focus in theatre and performance includes dance, acting, directing, voice and more recently, dramaturgy. Lebo is a performer-researcher/scholartist focused on interdisciplinary work that explores the link between performance, gender and sustainable development. She is particularly interested in the use of Botswana traditional performance in research to cultivate and document women's leadership as a step towards gender equity in leadership.
Dr. Disele-Pitso is also an active theatre-maker. Select performance credits include "Ogboingba Tries to Change her Fate" (Ribbon Rouge Foundation, 2024), "The Wolves" (Maggie Tree/Citadel, 2022), "Breaking Ground" (Mile Zero Dance, 2022), "The Space Between" (NextFest 2021, Expanse Festival 2022), "Freedom Journals: the Antidote to Violence as Care" (Brandon Wint, 2022); "All That Binds Us" (Azimuth Theatre, 2020) and "What (Black) Life Requires" (Expanse Festival, 2018). She has also dramaturged for David Kennedy (“The Lower Depths”, 2018) and Amanda Goldberg (“Belleville,” 2020).
Acting
Directing
Drama and Theatre in Education
Workshop/Devised Theatre
Play Analysis
Theatre Ethics
Voice
Movement
Gender
Performance
Decolonial feminism
Contemporary Botswana Theatre and Performance
Botswana performance traditions
Performing arts in sustainable development
Directing
Acting
Performance-as-Research
Gender and performance
African and African diaspora theatre and performance
Dance/Physical Theatre
Botswana traditional performance
Applied theatre
Disele, L. (2015) “In Conversation: Interrogating and Shifting Societal Perceptions of Women in Botswana through Theatre” in Plastow, J. Hutchison, Y. and Matzke, C. (ed) African Theatre 14: Contemporary Women. London: James Curry. pp65-72
Disele, L. (2015). “Searching for a Place: Identity and Displacement at Maitisong Festival” in Rapoo, C. and Kerr, D. (eds) Pula: Botswana Journal of African Studies Vol. 29, Number 2. Gaborone. Pp234-242
Disele, L. (2016). “Towards Sustainability in the Theatre: A Look at The Company@Maitisong” in Makgala, C.J. (ed) Botswana Notes and Records Vol 48, Number 1. Gaborone. Pp 362-367
Disele, L. (2020). "Towards an Adaptive Dramaturgy" in Agenda. DOI: 10.1080/10130950.2020.1782757
Disele, L. and Selman, J. (2022) “Reflecting from the middle: Ethics within an interactive theatre project working for social equity.” in Afolabi, T. and Kandil, Y. (eds). Canadian Theatre Review Volume 1